{"id":2620,"date":"2026-07-15T17:44:17","date_gmt":"2026-07-15T17:44:17","guid":{"rendered":"https:\/\/corporate-movers-usa.com\/?p=2620"},"modified":"2026-07-15T17:44:17","modified_gmt":"2026-07-15T17:44:17","slug":"bob-dylan-and-his-ever-changing-band-sang-in-the-shadows-at-the-highmark-mann","status":"publish","type":"post","link":"https:\/\/corporate-movers-usa.com\/?p=2620","title":{"rendered":"Bob Dylan and his ever-changing band, sang in the shadows at the Highmark Mann"},"content":{"rendered":"<div>\n<div>\n<div><audio><\/audio><\/div>\n<\/div>\n<p>The man in the short, white jacket singing \u201cThe Man in the Long Black Coat\u201d at the Highmark Mann on Tuesday? That was Bob Dylan.<\/p>\n<p>Read more <a href=\"https:\/\/corporate-movers-usa.com\/?p=2618\">ICE should keep making traffic stops despite recent shootings, Trump says<\/a><\/p>\n<div><\/div>\n<p>You might not have known by looking because he wasn\u2019t easy to see. Dylan has always been a master at hiding in plain sight, maintaining mystery about his true self \u2014 or selves \u2014 and resisting being known despite his every move being obsessively scrutinized for more than six decades.<\/p>\n<div><\/div>\n<div><\/div>\n<p>These days, Dylan also blurs himself visually. On Tuesday at the Mann\u2019s TD Pavilion \u2014 a venue he last played 10-years-and-a-day earlier \u2014 he stood behind an electric piano at the rear of the stage, his face partly obscured by the hood he kept over his head as if he were expecting rain.<\/p>\n<div><\/div>\n<p>With the boudoir lighting on stage, it was as if the audience \u2014 surprisingly youthful, no doubt thanks for Timothee Chalamet\u2019s star turn as Dylan in <i>A Complete Unknown<\/i> \u2014 was invited to witness a late night jam in a ramshackle roadhouse. <\/p>\n<div><\/div>\n<p>(Mobile phone photo taking \u2014 or phone use of any kind \u2014 was prohibited during the show, and enforced by security workers hustling around the amphitheater with flashlights.)<\/p>\n<div><\/div>\n<p>And who were those shadowy figures on the film noir stage set interacting with the grizzled Bard? That was a source of intrigue as well. Dylan has been a road warrior on what he has dubbed the Long Hot Summer Tour, playing 51 shows so far in 2026.<\/p>\n<div><\/div>\n<div><\/div>\n<p>But while he and longtime bass player and bandleader Tony Garnier and drummer Anton Fig have been constants, the guitarists have been in flux.<\/p>\n<div><\/div>\n<p>First, in June, Doug Lancio left the band, and Dylan watchers were wowed when he was replaced by improvisational jazz guitarist extraordinaire Julian Lage. Then longtime second guitarist Bob Britt quit the band without explanation, though he did post a \u201cSayonara Bobby\u201d goodbye on Facebook.<\/p>\n<div><\/div>\n<p>Britt was then replaced with Chicago jazz, blues, and Western swing player Joel Paterson. And the lineup then continued to shuffle this month when Lage missed shows due to prior commitments, and Memphis R&amp;B player Jad Tariq filling on for him.<\/p>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<p>On Tuesday at the Mann, however, Lage was back in Tariq\u2019s place, standing to the right of Garnier and his upright bass. Both kept a close eye on Dylan, careful to follow his lead throughout an 80-minute performance that worked as a steamy midsummer mood piece and intermittent meditation on mortality, while taking an alternative route through the world\u2019s greatest living songwriter\u2019s oversized oeuvre. <\/p>\n<div><\/div>\n<p>Dylan is famous for rearranging much-loved songs from his 1960s and 1970s heyday to the point they become unrecognizable until a chorus comes around. <\/p>\n<div><\/div>\n<div><\/div>\n<p>There was a little of that this time. It took me a minute to realize that the sprightly third song, which was one of many marked by intuitive interplay between Paterson and Lage, was \u201cIt Ain\u2019t Me Babe.\u201d<\/p>\n<div><\/div>\n<p>But mainly Dylan keeps the crowd from getting too comfortable by keeping his best known warhorses out of the set. Nine of 16 songs he sang \u2014 in a clear, non-phlegmy voice by his standards, with the band skilled at staying out of his way \u2014 came from what are considered latter day Bob Dylan albums. (Though he\u2019s been around for so long that one of those newish albums, <i>Oh Mercy<\/i>, is 37 years old.)<\/p>\n<div><\/div>\n<p>With Paterson taking most of the leads, the set also included covers of three old time rock and roll and R&amp;B deep cuts. \u201cBo Diddley\u2019s \u201cI Can Tell,\u201d Jerry Lee Lewis\u2019 \u201cI\u2019ll Make It All Up To You\u201d and Bobby \u201cBlue\u201d Bland\u2019s \u201dShare Your Love With Me\u201d were all examples of Dylan playing homage and drawing strength from bedrock American vernacular artists who inspire him. That was also true of the evening\u2019s penultimate song, his own \u201cGoodbye Jimmy Reed.\u201d<\/p>\n<div><\/div>\n<p>Dylan is 85, and the New York Times recently asked him to about being an octogenarian and perhaps offer President Donald Trump sage advice on a milestone birthday. <\/p>\n<p>Read more <a href=\"https:\/\/corporate-movers-usa.com\/?p=2616\">Kathy M. Winter, lifelong artist, teacher, and former parish council president, has died at 91<\/a><\/p>\n<div><\/div>\n<div><\/div>\n<p>He declined the latter opportunity but said that in his 80s \u201cyou don\u2019t chase the parade anymore. You\u2019re an old king from some vanished country. \u2026 You\u2019re not rushing to become anything and you\u2019re not haunted by the things that you did.\u201d <\/p>\n<div><\/div>\n<p>Dylan\u2019s songs are enigmatic. They mean different things at different times to different people. Or you might say they \u201ccontain multitudes,\u201d as Dylan sang of himself on his most recent album, 2020\u2019s <i>Rough &amp; Rowdy Ways<\/i>, which led the way with five tracks performed from it on Friday. <\/p>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<p>But for those tempted to try to puzzle out what Dylan is thinking and feeling about his own eventual demise, Tuesday night\u2019s set did offer opportunities.<\/p>\n<div><\/div>\n<p>Two songs \u2014 one played early on, one mid-set \u2014 could be interpreted as dances with death, populated by mythical figures that may or may not be the Grim Reaper. <\/p>\n<div><\/div>\n<div><\/div>\n<p>In the doomy, foreboding and thoroughly compelling \u201cMan in the Long Black Coat,\u201d darkness is embodied by a ghostly presence \u201cwith a face like a mask\u201d who takes a woman away \u201cwithout a goodbye, not even a note.\u201d<\/p>\n<div><\/div>\n<p>And in \u201cBlack Rider,\u201d Dylan sounded feisty, casting himself as a mythical figure.<\/p>\n<div><\/div>\n<p>As if his ability to keep on keepin\u2019 on required it, he vowed to fight Death to the death: \u201cDon\u2019t turn on the charm,\u201d he snarled, \u201cI\u2019ll take a sword and hack off your arm.\u201d <\/p>\n<div><\/div>\n<p>That set the stage for the gospel influenced \u201cI Shall Be Released,\u201d which has recently replaced the philosophical \u201cEvery Grain of Sand,\u201d as Dylan\u2019s closing number.<\/p>\n<div><\/div>\n<p>The song he first recorded with The Band in 1967 can be read as a prayerful plea from a prisoner, or a supplicant seeking heavenly relief from struggles and strife on this mortal coil.<\/p>\n<div><\/div>\n<p>Either way, it was a stirring finale to a satisfying summer evening, and one of two songs \u2014 along with the title tune to the 1990 album <i>Under the Red Sky<\/i> \u2014 that featured a Dylan harmonica solo, with both drawing rousing ovations.<\/p>\n<div><\/div>\n<p>Guitarist Jimmy Vaughn preceded Dylan with his Tilt-A-Whirl Band. It marked Vaughn\u2019s return to the Mann, which he played in 1986 with the Fabulous Thunderbirds, opening for his brother Stevie Ray Vaughn, who died in 1990.<\/p>\n<div><\/div>\n<p>Vaughn is a superb Texas blues guitarist. He never showboats or overplays, and along with his band \u2014 which included a three member horn section \u2014 he revved up the crowd with a set that included covers of Roscoe Gordon, Slim Harpo, plus \u201cTexas Flood,\u201d the Larry Davis composition that became his brother\u2019s trademark. <\/p>\n<div><\/div>\n<p>The show kicked off with Brittney Spencer, the Maryland-raised Nashville-based vocalist who is a key player in this decade\u2019s Black country renaissance.<\/p>\n<div><\/div>\n<p>Spencer was a featured guest on Beyonc\u00e9\u2019s <i>Cowboy Carter,<\/i> and along with slide guitarist Omri Skop, she followed Queen Bey\u2019s lead in covering the Beatles\u2019 \u201cBlackbird.\u201d And in addition to her own songs \u201cNew to This Town\u201d and \u201cBetter As Friends,\u201d she won over the crowd with a quality interpretation of Dylan\u2019s own much covered love song, \u201cMake You Feel My Love.\u201d <\/p>\n<p>Read more <a href=\"https:\/\/corporate-movers-usa.com\/?p=2614\">With next year\u2019s cuts looming, Philadelphia Cultural Fund announces $5.6 million in grants<\/a><\/p>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The iconic songwriter returned to Fairmount Park for the first time in 10 years, joined by guitarists Julian Lage and Joel Paterson.<\/p>\n","protected":false},"author":1,"featured_media":2619,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,22],"tags":[],"class_list":["post-2620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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